The GRAND presents LIVE & LOCAL

LIVE AND LOCAL at The GRAND is a multi-disciplinary cabaret style event hosted in The GRAND’s Historic Lobby. This ongoing series will highlight the many talented performance-based artists in our city.   ‘Live and Local’ was created in response to the impact COVID-19 has had on local artists and is a paid opportunity.

Featuring Flexible Hours & Megan Koch

Hosted by Rufi Oswaldo

 All funds raised through ticket purchases will go toward the LIVE AND LOCAL programming and the continued support of our local arts community.

  • Show starts at 06:30PM and goes until 09:00PM and will be in our Main Level Lobby.

  • Seating will be available.

  • There will be a bar available for you to purchase drinks.

  • Please see this page for parking details and getting here.

DATE & TIME
April 28, 2022 @ 06:30PM
Doors open @ 06:00PM

LOCATION
Main Lobby at the GRAND

TICKET PRICE
$0.00 to $75.00
includes all fees and taxes

IMPORTANT

Proof of vaccination or negative COVID-19 test will not be required to attend this event.

Masking will not be required to attend this event.

By purchasing tickets to this event, you agree to abide by the COVID-19 Policy at the time of the event.

Please see our full COVID-19 Policy here.


Flexible Hours is a performance-driven collaboration residing in Canada. It’s participants are live composer and experimental sound artist, Eric Fraser and interdisciplinary artist Stephanie Patsula. 

Through an exploration of new media, live performance and sound creation the pair work to assess and manipulate their surroundings. Patsula uses her own body as a conduit and site to explore, while Fraser relies on sound creation and collection. Together they use chosen and created materials to develop live performances and scores. 

The catalyst of these works is found in both artist's desire to subvert a linear or binary perspective of the world around us, and aim to create atmospheric interventions that allow both artist and viewer to take agency in the co-creation of the moment. 

Eric Fraser is a composer and sound artist who lives and works on treaty 6 territory ᐊᒥᐢᑿᒌᐚᐢᑲᐦᐃᑲᐣ - amiskwacîwâskahikan, Edmonton, Alberta. 

He is a live performer and electronic musician who draws inspiration from the overall physical and political climate. The local industrial influences of the Places in which he works form the foundation of his conceptual and experimental process. By sampling and manipulating field recorded and synthesized soundscapes in his musical compositions, he attempts to create a mood of dissonance. 

Fraser approaches his work with a hybrid of analog, digital and acoustic tools. Fraser experiments with non-linear patterns, pacing and spatial sound design as a tool to create tension for the listeners and viewers. He has been involved as a composer, sound artist and participant in various electronic music and audio-visual projects in Canada for over a decade. 

Stephanie Patsula is an early career artist who lives and works on treaty 6 territory ᐊᒥᐢᑿᒌᐚᐢᑲᐦᐃᑲᐣ - amiskwacîwâskahikan, Edmonton, Alberta. 

This past November (2020) she graduated with an MFA in Intermedia from the University of Alberta. The projects Patsula creates are focused across a variety of processes, meeting at an intersection of lens, installation and performance work and are mediated by both physical and digital locations. She is interested in the metaphor vehicle of vessels and how the body gives material form to personal and abstract experience. Patsula’s work prioritizes embodied research, exploration of site(s), reciprocity through sound and symbology, while attempting to approach concepts of relational ethics, cultural ritual and spirituality.  

In addition to her art practice, she aims to foster connections within the arts community, working with project spaces and arts incubators to activate sites with programming, interventions and events.

Project Statement 

Information Systems

This small pop up exhibition explores ideas of directional guidance both environmentally and interpersonally and uses visual symbols and metaphors to describe ways in which a person can navigate a variety of planes.

As part of the exploration, Flexible Hours has created a live, improvised performance and installation, titled Beacon. In this collaboration, Patsula uses self-made instruments and found objects as tools for performance and sound creation. These selected objects hold symbolic importance and help to describe a relationship she has to places and individuals. At the intersection of this work, Fraser uses audio from field recordings captured in Iceland along with synthesizers, samplers and a drum machine to co-create a musical composition with Patsula.

True to wayfinding, they use a variety of approaches to make decisions on the direction, mood and tone of the piece. Much like navigating the multiple facets of daily life, these choices lead to discoveries and familiarity that can only unfold on the journey.


Megan Koch is a graduate with a Bachelor of Fine Arts in Dance from the University of Calgary class of 2019. Throughout her training at the university, she has trained under various artists such as: Sasha Ivanochko, Melissa Monteros, Marie France-Forcier, Heather Ware, and many others. Alongside her performances within the university, Megan has had the privilege of performing in multiple festivals in Alberta including Fluid Festival (Calgary), Ignite Festival (Calgary), and Next Fest (Edmonton). She has also worked as an understudy for Meghann Michalsky for Project InTandem. Her most recent work was featured as an improvised solo as a product of a week with Dancers Studio West: Dance Research Lab.


Photo Credit: R.A. Bloom Photography

Rufi Oswaldo’s purpose is to inspire reflection, gratitude, and joy through his dance practice. And for over twenty years, he has done just that through a richly multi-disciplinary and stylistically eclectic dance career that spans contemporary dance, “Latin” and standard dancesport, and Cuban traditional and social dance styles. In addition to maintaining an independent choreographic and performance practice, he serves concurrently as the Artistic Director of Dancers’ Studio West in Calgary, AB and conducts research remotely as a PhD Candidate of Performance Studies at York University.